| 2.
Documentary evidence: Hindu testimony
The
city of Ayodhya has undeniably been a city
of great antiquity and a sacred spot to
the Hindus for a long time. Giving
the location of the city on the bank of
river Saryu, and describing its area,
prosperity and glory, Valmiki has said in
his Ramayana:
(Ramayana,
Balakhanda, Canto 5, Sloka 5-7)
Many
Puranas attest the fact that Ayodhya was
considered one of the six holiest of the
holy cities. To quote one:
(Brahmanda
Purana, 4/40/91)
In
all Hindu scriptures since Valmiki,
Ayodhya figures prominently and Lord Rama
is referred to as an avatar of Vishnu.
Vyasa
incorporated the story of Rama through the
Ramopakhyan in the Vanparva of his epic
Mahabharata. The earliest sanskrit
dramatist Bhasa who lived before the
advent of Christ, wrote his dramas
‘Pratima’ & ‘Abhishek’ based
on the life of Rama. Identifying
Rama with his archanavtar, he
writes:
Kalidas
the greatest classical poet &
dramatist devoted the 10th canto of his
Raghuvansham, to the narrative of
Vishnu’s incarnation on earth as Rama.
In the 13th Canto of his book, where the
poet refers to the return of Rama and Sita
to Ayodhya in the Pushpak-Viman, he speaks
of Rama as Vishnu himself:
There
is not a single important poet or writer
in classical Sanskrit literature who has
not paid his best obeisence to Lord Rama
in one form or another. Instead of
attempting an exhaustive enumeration of
such works or citing illustrations
therefrom, we may only mention the
following ones:
(A)
Classical Sanskrit Literature:
Poems
(1) Kalidasa
(C. 400 A.d.): Raghuvamsa
(2) Pravarasena (550-600 A.D.):
Ravanavaho or Setubandha
(3) Bhatti : (500-650 A.D.) :
Ravanavadha
(4) Kumaradasa : (c: 800 A.d.) :
Janakiharana
(5) Abhinanda (9th cent.) Ramacarita
(6) Ksemendra (11th cent.):
(a) Ramayanamanjari
(b) Dasavatara-carita
(7) Soacakalyamalla (12th cent.) :
Udararaghava
(8) Cakra Kavi (17th cent.) :
Janakiparinaya
(9) Advaita kavi (17th cent.)
Ramalingamrta
(10) Mohana svami : (1608 A.d.
Roac(a,)marahasya or Roac(a,)ma Carita
(India Office MS. of 1970 A.D.)
Drama
(1) Bhasa,
(2nd cent. A.d.) (a) Pratima (b)
Abhiseka
(2) Bhavabhuti (8th cent.) (a)
mahaviracarita (b) Uttararamacarita
(3) Dinnaga (9th cent.) Kundamala
(4) Murari (900 A.D.) Anargharaghava
(5) Rajesekhara : (10th cent.)
Balaramayana
(6) Hanuman: Hanumannataka or Mahanataka
(7) Saktibhadra (9th cent.)
Ascaryacudamani
(8) Yasovarman : Ramabhudaya (8th cent.)
(9) Mayuraja : Udattaraghava
(10) Anonymous : (a) Chalit RM (b) Krtya
RM (c) Mayapuspaka (d) Svapnadarsana
(11) Ksirasvami : Abhinavaraghava
(12) Ramachandra (a) Raghuvilasa
(12 cent.) (b) Raghavabhyudaya
(13)Jayadeva : Prasanna-Raghava (12
cent.)
(14) Hastimalla : Maithikalyana (1290
A.D.)
(15) Subhata : Dutangada (13 cent.)
(16) Bhaskara Bhatta : Unmattaraghava
(14 cent.)
(17) Tryasamisradeva : Ramabhyudaya (15
cent.)
(18) Mahadeva : Adbhutaramayana (17
cent.)
(19) Ramabhadra Diksita : Janakiparinaya
Miscellaneous
Poems
(i)
Slesakavyas
(1)
Dharnanjaya : Raghavapandaviya (12
cent.)
(2) Madhava Bhatta : Raghavapandaviya
(3) haradatta Suri : Radhava-Naisadhiya
(4) Cidambara :
Radhavapandaviya-Yadaviya (1600 A.D.)
(5) Gangadhara Mahadevakavi : (18 cent.)
Sankatanasanastotra
(ii)
Vilomakavyas:
(1)
Suryadevi : Ramakrshna-viloma-Kavya
(1540 A.D.)
(iii)
Citrakavyas:
(1) Krsna
Mohana: Ramalilamrta
(2) Venkatesa : Citrabandha RM
(iv) Amorous
Khandakavyas:
(1)
Venkatadesika : Hamsasandesa or
Hamsaduta
(2) Rudra Vacaspati : Bhramaraaduta
(3) Vasudeva : Bhramara-sandesa
(4) Anonymous : Kapiduta
(5) Venkatacarya : Kokilasandesa
(6) Jayadeva Ramagita-Govinda
(7) Krsnacandra : Candraduta
(8) Harisankara : Gitaraghava
(9) Prabhakara : Gitaraghava
(10) Haryacarya : Janakigita
(11) Harinatha : Ramavilasa
(12) Visvanathasimha Sangita
Raghunandana
(13) Visvanatha : Raghavavilasa
(14) Somesvara : Ramasataka
Prose
Romance and Campus
(1)
Ksemendra : Brhatkathamanjari
(2) Somadeva : Kathasaritasagara
(3) Bhoja : Campu RM (Many other campus
such as Uttararamayana Campu, etc.
based on Uttarakhanda of RM)
(4) Vasudeva : Ramakatha
(B) Hindu
Scriptures
Ramayanas
(1) Valmiki
Ramayana
(2) Ramopakhyana in the Mahabharata (Vana
Parva)
(3) The Yoga Vasishtha or the Vasishtha
Ramayana
(4) Adhyatma Ramayana
(5) Adbhuta Ramayana
(6) Ananda Ramayana
(7) Bhushundi Ramayana
(8) Maha Ramayana
(9) Mantra Ramayana
(10) Vedanta Ramayana
Puranas
(11) Vishnu
Purana (4th C.) (IV,4,5)
(12) Brahmanda Purana (4th C.) (2.21)
(13) Vayu Purana (5th C.) (II,26)
(14) Bhagvata Purana (6/7th C.)
(IX,10-11)
(15) Kurma Purana (7th C.) (I.19,21:
II.34)
(16) Agni Purana (8th C.) (Ch.
5.12)
(17) Narada Purana (10th C.) (I.79,
II.75)
(18) Brahma Purana (Ch. 213,
70-175)
(19) Garuda Purana (10th C. (I.143)
(20) Skanda Purana (11/12th C.) (II.30)
(21) Padma Purana (12/15th C.) (Para
116, Uttara 24,43-48)
(22) Vishnu Dharmottara Purana
(23) Narasimha Purana
(24) Vahni Purana
(25) Shiva Mahapurana
(26) Devi Bhagvata Mahapurana
(27) Brihaddharmapurana
Upanishads
(28)
Rama-Purvatapaniya Upanishad
(29) Ramottaratapaniya Upanishad
(30) Rama-Rahasyopanishad
Pancharatra
Works
(31) Agastya
Samhita
(32) Kaliraghava
(33) Brihad-raghava
(34) Raghaviya Samhita
(C) Other Religious Literature
(1)
Jaiminiya Ashvamedha
(2) Mailravana Carita or
Hanumanad-Vijaya
(3) Sahashramukha-ravanacharitam
(4) Satyopakhyana
(5) Hanumat-Samhita
(6) Brihat-Koshalakhanda
For
the last two millenia, the tradition of
veneration to Rama has existed in the
Hindu society in one form or other.
The earliest known inscription to testify
this is found in the Nasik cave
inscription of 19th regnal year, that is
150 A.D., of Satvahana king Vasisthi-putra
Pulumavi which contains the following
eulogisation of Gautamiputra Satkarni:
A
series of subsequent inscriptions such a
Gandhar inscription of Vishwavarman (423
A.d.), Chalukya inscription of Pulakesin I
(543 A.D.), Mamallapuram inscription (8th
century A.D.), Hansi inscription of
Chahmana Prithiraja II (1168 A.D.)
establish the continuity of this tradition
throughout.
Iconometric
evidence proves that the worship of Rama
as an incarnation of Vishnu is at least as
old as the time of Brihatsamhita of
Varahmihir, (5th century A.D.) who
prescribes the details of Rama’s
iconometry in chapter 57 verse 30.
Till the end of the 12th century A.D., the
canons of iconometry regarding the image
of Rama was laid down in the Matsyapurana,
Manasollas, Bhatta-utpal & Al-Beruni.
Not
only the Padmapurana 1.2.3. Haribans
1.41, Brahmapurana, ch 180, Garudapurana
1.202, Varahpurana ch. IV, but also
the Gwalior inscription of the Gurjar
Pratihar king Bhoja in the 9th century
described Rama as an incarnation of
Vishnu.
Besides
Manasollas, Dasavatarcharit of Kshmendra,
Gitagobindam of Jaidev, Naisarhcharit of
Sri Harsha & the Ram Charitam of
Sandhyakarnandin adulate Rama as
Vishnu’s avatar.
Even
the ancient Jain writers such as Amitagati
(11th century) spoke of Rama as the
all-knowing & all pervading protector
of the World.
The
evolution of the tradition of Rama worship
at least from 4th century A.D. is
established by the early Rama shrines
surviving at ancient Ramgiri hill (modern
Ramtek) 30 kms from Nagpur, dedicated by
the Vakataka queen Prabhawatigupta (5th
century), Ambhamata temple at Osion near
Jodhpur, (11th century) containing images
of Rama-Janaki & Hanuman, Rajivlochan
temple (12th century) at Rajim in Raipur
disctrict erected by Jagapal the minister
of Kalachuri king Pritideva II and
dedicated to Rama by an inscription of
1145 A.D., and the Rama temple at
Mukundapur in Reva district (12th century)
built by Malaysingha. Paintings
depicting episodes from Rama’s life have
adorned the walls of numerous temples in
India and outside from the famous Deogarh
temple in M.P. (late gupta period)
to the Angkor Bat in Cambodia.
According
to well researched conclusion of scholars,
there existed at least five Vishnu temples
in Ayodhya in the 12th century viz.
(1)
Harismriti (or Guptahari) at the
Gopratar (goptar) ghat,
(2) Chandrahari on the west side of the
Swargadwar ghat,
(3) Vishnuhari at the Chakratirtha ghat,
(4) Dharmahari on the east side of
Swargadwar ghat, and
(5) Vishnu (Rama) temple on the
Janmabhoomi.
The
last three of these have been replaced on
all accounts by mosques built by Mughal
emperors.
These
are both textual and archaeological
evidence to prove that it was a common
practice from early times for the devotees
of Rama (or Krishna) to offer worship to a
temple image which was looked upon as
being an embodiment of Rama (archanavtar).
Instead of worshipping Rama in his earthly
human form, a practice has grown of
devotees worshipping him in the form of
one (Vishnu) whose avatar he was believed
to be. The textual support to this
practice is found in the Padmasamhita, a
Vaishnav text dating before 1000
A.D. which says:
(That
is, when an image of Rama is installed
independently in the Sanctum for the sake
of worship, it should have four arms).
This
practice was quite natural, considering
that Rama was initially seen as an
incarnation of Vishnu, but came later to
be seen as Vishnu himself. This
practice is corroborated by the images
installed in the ancient Rajivlochan at
Ambamata temple referred to earlier.
In the former, the temple has been
specifically dedicated to Rama by an
inscription (1145 A.D.) and been popularly
known and revered as Rama temple, but the
image inside is that of four-armed
Vishnu. In the latter, the images of
Rama & Sita are completely like
Laxmi-Narayana but are identified as
Rama-Sita by the presence of the seated
Hanuman at their feet. An
inscription of 467 A.D. testifies to the
installation by a devotee of the image of
Chitrakutsavami-Anantashayi"
referring to both Rama & Vishnu.
An
inscription of 467 A.D. testifies to
the installation by a devotee of the image
of Chitrakutsavami-Anantashayi"
referring to both Rama & Vishnu.
The same practice is indicated by an
inscription found at Ayodhya which says
that the Gahadval king, Chandradeva
visited Ayodhya on 23rd Oct. 1093 on
a pilgrimage on the occasion of a solar
eclipse when he bathed in the Saryu and
performed the worship of Vasudeva the
protector of the three worlds.
The
long tradition of Rama worship as
evidenced lay the numerous literary,
scriptural and archaeological sources
culminate in the 12trh/13th century in the
Ayodhya-Mahatmya forming part of the
Skandapurana which describes the various
holy spots in Ayodhya, and extols the
pilgrimaage to the city as the best means
to salvation. Along with various
other holy sites associated with Ram such
as Goptar ghat, Swargadwar, Sahasradhara
(all of which exist till this day) etc;
the Ayodhya-Mahatmya profusely eulogizes
the Janmabhoomi shrine and gives it
location. The merits of a visit by a
devotee observing the vow ( ) on the
Ramanavami day to the Janmasthana has been
described in Ayodhya-Mahatmya in the
following words:
"A
man who has seen the Janmasthana will not
be born again even if he does not offer
gifts, practise asceticism, goes on
pilgrimages or make
sacrifice-offerings. A man observing
the vow world be liberated from the
bondage of rebirth on arrival of the
Navami day because of the miraculous power
of a bath and a gift. By seeing the
Ramjanmabhoomi he shall obtain the result
that accrues to one who gives away a
thousand red cows day after day."
(see Annexure 1 for relevant extract of
Sanskrit text)
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