The Islamic mafia's terror
network - Part 3
COPIED FROM THE SWORD OF TRUTH
Issue# 1999.26
June 28th, 1999
The Islamic mafia's terror network - Part 3 by Aditi Chaturvedi
(Continued from last week...)
How deeply has the virulence of the ISI led Islamic Mafia infested
the heart of India's film industry. To the core, by any
indication. Bollywood is replete with concrete examples of the
role that film personalities play daily in the setup of the
Islamic Mafia. The dream factories of Bollywood are nothing but
puppet establishments that owe their allegiance to the most
murderous Muslim criminals that live on the other side of the
Arabian Sea. Here are some of the most famous examples of
Bollywood's complicity with the Islamic terror network, to prove
my point.
Sullying Ganga's name
Picture the scene, a voluptuous young girl wearing a drenched
piece of transparent white cloth sits under a waterfall, the
sheerness of the fabric clinging to her skin and the rushing flow
of the water expose everything under the flimsy cloth. Most of
India was shocked at the obscene attempt to display nudity in such
a sneaky underhanded way. But the censor board did not cut out the
scene from Raj Kapoor's latest kick in the pants to Hinduism. That
girl was a poor Christian who was looking for ways to sell her
body for money. The "Showman" of Indian films Raj Kapoor
saw his chance to exploit her assets and cast her in the role of a
"virginal Ganga" in his "Ram Teri Ganga Maili Ho
Gayi" and hey presto, Mandakini was born. In spite of Raj
Kapoor's grotesquely insulting portrayal and shameless usage of
misnomers, the Indian public was too busy looking at "Mandakini's"
ample bosom to care much either way. Sitting in his multi tiered
mansion Dawood Ibrahim too must have sat up and noticed, and
decided then and there that she would make a good addition to his
ever increasing Harem.
The "virginal" Mandakini
exposing her assets.
Thus it was that a "concert" was arranged in Dubai with
the ubiquitous troupe of singers, musicians, and film stars.
Mandakini was invited as a special guest by Dawood himself. The
young girl must have been dazzled at the sleek luxury sedan which
came to pick her up at the airport. She must have been flattered
too to be receiving the attention of one of the richest criminals
of the underworld. Mandakini must not even have paused to wonder
for a second at the appropriateness of what she was doing, for it
was a well known fact that Bollywood actresses could be had for a
song or an expensive trinket or two by the Muslim dons of the
Islamic Mafia. She was only too happy to oblige. Her producers and
directors began getting impatient after waiting for more than a
few days for her return, but yet there was no sign of Mandakini.
Days slowly turned into weeks and then months, but all of a sudden
a hush seemed to descend on the Film Industry, whenever a question
was asked about Mandakini. Soon the period of her absence reached
nine months and it was then that the whispers got louder,
"She's having his baby", the word was heard. Indeed.
"Mandakini" the young Christian movie star from Bombay
who was christened so in an insulting reference to the Hindu River
Goddess Ganga, the most "virginal" of virgins, according
to Mr. Raj Kapoor, was pregnant with the child of Dubai's most
notorious underworld criminal!
And going by the whispers this wasn't the first time a Bollywood
actress had had the privilege of bearing his progeny. What was
quite clear however is that Dawood was not going to stoop so low
as to actually marry a woman of such low virtue as an Indian film
actress. And so the trimester came and went, the ninth month
passed and no one got a glimpse of Mandakini. Soon the story
seemed stale, the gossip began turning to other issues of more
interest and Mandakini was forgotten. She was incognito for years
and then suddenly she returned, but there was no trace of a child!
Was the "burden" simply disposed off like so many others
before it or was it simply incorporated into the fraternity of
illicit bastardhood as so many of the results of Dawood's previous
"Filmi" conquests had been, who knows?
But one thing is clear, Mandakini came back loaded with quite a
few extra pounds as well as a truckload of hard cash.
Wedded to Death
On April 5, 1993 at midnight, a young beautiful 19-year old
stepped out on the window ledge of her fifth floor apartment.
Neighbors heard her wailing loudly and berating her fate. Moments
later she had simply stepped off the ledge and lay in a crumpled
heap on the ground. Her battered corpse lay on the ground for
hours till morning when the Police came to investigate. They
discovered that the girl was none other than Divya Bharati, an
phenomenally popular actress. What could have prompted one who had
seen so much success to such desperation??
Divya Bharati
The answer lay with her husband Sajid Nadiadwala, a notorious
Muslim associate of the Islamic Mafia. He was a well known film
producer who had been married several times before and was known
for his penchant for pretty new faces. He had married Divya
Bharati in May 1992 but the marriage was kept a complete secret.
Why? That was the ultimate question. The answer was startling but
not entirely unexpected. Divya Bharati had been threatened and
"cajoled" into marriage with Nadiadwalla. She was a
tempestuous young girl who had captured the audience's attention.
And it was in her that Nadiadwalla saw his golden goose. He had
her signing films left, right and center, while he pocketed the
cash. When the erratic young actress complained about the secrecy
of the marriage and wanted to announce it to the world,
Nadiadwalla threatened her with dire action. He simply couldn't
afford to have a Divya Bharati who wasn't attractive to the
audience anymore because of her married status. He wanted her to
reveal as much of her assets as she possibly could so that the
money would keep pouring in. When a sulky Divya started
complaining, Nadiadwalla physically abused her thoroughly.
Battered and bruised the young girl resigned herself to her
inescapable destiny and started drinking heavily, as well as
relying on drugs to sustain her through the bouts of manic
depression. Nadiadwalla was only too happy to supply the drugs
which would keep her going.
But on that particular night of April 5, 1993, Divya Bharati had
had too much to drink. She couldn't control her anger and
desperation at being manipulated by the cold calculating mobster
who ill treated her every day. Even as her rage surged,
Nadiadwalla coldly told her that she would be sleeping with his
clients in future transactions. At that point Divya Bharati
snapped. She screamed at him, hurling the choicest word of abuse
and spewing epithets about pimping. Even as the neighbors cringed
in their beds and pretended not to hear, there was a loud
reverberating crash. And the next moment, the future superstar of
Indian cinema lay dead on the ground, a compressed heap of bones
and mangled flesh soaked in a pool of blood. For hours her corpse
laid there, as her husband went back into the bedroom with his
other girlfriend for the night...
Two days later, in an obscene mockery of fate, her corpse was
bedecked in bridal finery and besieged by thousands of anguished
fans in a final funeral procession. Sajid Nadiadwalla wept
uncontrollably and had several fainting spells during the
procession. Hundreds of members of the film fraternity of
Bollywood were there for the macabre dramatization. Every one of
them knew what had been the real reason for Divya Bharati's death,
even as they gave interviews on TV, about the young actress's
"disturbed mental balance" and "clear indications
of her inebriated state which led to suicide". And through it
all Divya Bharati's corpse lay there, her wish to be publicly
displayed as a bride finally fulfilled, the ultimate irony of
truth.
The One Who Got Away
On March 12, 1993, twelve huge bomb explosions rocked the city of
Bombay killing more than 300. The first blast rocked the Bombay
Stock Exchange. Eleven more major detonations and several minor
ones, most caused by car bombs, shook the center and some of the
suburbs of India's largest city. Soon more bombs followed at the
Searock Hotel and the Victoria Terminus. The city lay in flames.
Dawood Ibrahim and the Islamic Mafia had taught India a lesson
that would be hard to forget. The menacing message was loud and
clear, those who dared to shake up Allah's established order by
breaking the Babri Masjid would pay for it with the life of
thousands of innocents. It was another matter altogether that the
Masjid's of Allah were built on stolen, misappropriated land by
vicious conquerors on the site of Hinduism's holiest and most
revered shrine. The Babri Masjid of Ayodhya was the ultimate
symbol of Hindu defeat, by destroying it the Indians had invited
the wrath of the ISI nurtured mobsters of Dubai.
Sanjay Dutt,
the Bollywood Terrorist
Even as the bomb explosions rocked the center of Bombay city,
Sunjay Dutt was lying on the beach in Mauritius shooting for a
film called "Aatish" (explosion) when news spread that
he was implicated in illegal possession of arms. The Islamic Mafia
which had detonated the bombs used Sanjay Dutt's residence as the
repository for their arms and ammunition. Police were shocked when
they discovered stashes of automatic weapons such as machine guns
and mausers. They even found hand grenades in some of the stashes!
What was truly shocking to the police was the arrogant complicity
of Dutt. His @#%$y attitude stemmed from the fact that his father
Sunil Dutt was the Mayor of Bombay at one point and had the
protection of the Congress Party which itself had innumerable
connections with the Islamic Mafia. How shocked Sunjay Dutt must
have been, the day he touched down at Sahar and the unyielding
cops of Mumbai put him behind bars.
But in the end despite their best attempts, justice was not
served. Once again the traitors of Bollywood took out a parade to
"protest" the unjust incarceration of Sunjay Dutt. After
all they were all accomplices in the big game to serve as support
bases for the murderous Islamic India whose only motivation was to
slaughter thousands of Hindus in India...
On 9 September 1994, a Division Bench of the Supreme Court held
that, in order for Dutt's prosecution to succeed under TADA, the
state had to prove that there was "conscious"
unauthorized possession, and not merely unauthorized possession,
of those arms and ammunition. The accused could, according to the
court, prove by adducing evidence that the purpose of his
unauthorized possession of such arms and ammunition was wholly
unrelated to any terrorist and disruptive activity. In that case,
he would be punishable only under the general criminal law and not
under Section 5 of TADA. Thus it was India's crummy justice system
which can be manipulated and abused by the criminals, which
allowed Sunjay Dutt to go scot free for his crimes. What other
purpose could a person have to hold caches of sophisticated,
unlicensed weapons in his house during a terrorist strike, except
to aid and abet that terrorist action???
Why would any person in his right mind need to store AMMUNITION in
their private home. But as always the lives of Hindus in India are
cheap and India's Bollywood would ensure that the Islamic Mafia's
attempts to spread terror throughout the country would always
succeed.
Next week we will explore the next rung of the ladder when I
describe the deep and abiding relationship that India's most
famous and wealthy industrialists share with the Islamic Mafia.
(To be continued...)
Aditi Chaturvedi
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